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How Our Culture Affects Our Literature by Adda Leah Davis

2/1/2017

9 Comments

 
          The early settlers of America were, no doubt, fascinated by the Native Americans who had lived here many years before their arrival in these mountains.  At first they didn’t realize that these earlier Americans also had cultural values and literary traditions of their own, just as the settlers themselves had.
          The Native American literature was entirely oral unless you count the paintings and drawings found in caves.  The Native Americans had not then developed a written language but their oral histories and the first written works of the early settlers which told about the struggles of the colonists actually form the beginning of the American literary culture, as told by James Fennimore Cooper in his famous work, The Last of The Mohicans.
          We see, then, what an oddly assorted group that established the foundations of American literature; the Native American with their oral traditions, the puritans who came to America seeking religious freedom were preoccupied with sin and salvation, the African American with their haunting lilting songs and oral histories, and then the southern planters who were concerned with their busy but glamorous social lives.
          The culture of this region known as the Appalachian region seems to be a coming together of the Native American chanting rhythm found in most oral histories, the saint and sinner, rewards and punishments ideology of the puritans, and many of the social attitudes and practices brought over from England, France, Scotland, Ireland, Africa, and the Slavic nations. Each group seems to have had some stigma attached. Think of the many pieces of literature which paint the Scotch/Irish as a bunch of rednecks (to use a colloquial term).
          As to which came first, it is likened unto “the chicken or the egg” eternal conundrum. Did our writing and our stories began our culture or was our culture the origin of our writing? Thus the question whether literature originates from culture or culture is enhanced by our literature arises.  I adhere to the belief that our culture has developed from the customs and habits of the people and is debased, glorified, or enhanced by our literature.
         At one time, the literary world paid little attention to Appalachian literature. Then gradually people such as John Fox, Thomas Wolfe, Eudora Welty, Harriet Arnow, and James Still wrote with such ability and pathos that their voices became recognized and appreciated.
        They were the trailblazers who opened doors for more modern writers from our own area who are carrying on in the same manner such as; Lee Smith, Andriana Trigianni, Silas House, Homer Hickam, David Baldacci, and Robert Morgan to name a few.  These people are preserving and enhancing our culture and making us proud to say we are from Appalachia.
          Many writing groups have sprung up in various areas in the Appalachian region with their main purposes being to inform and educate our people as to their own historical presence in the building of America as a diverse and free country. Without the written word, this endeavor would be impossible and these writing groups realized early on that there was a great need for the preservation, enhancement, and fostering of writing and publications from our own area as well as from other regions.
         One such writing group was started in 2009; The Appalachian Heritage Writers Symposium. Its goal is to enhance and preserve our rich heritage and bring it out as a bright and shining example of the many talented people in our region, but is not limited to Appalachia. 
         We in Appalachia have the unique opportunity to not only “show the house to the house” meaning a way to let us see ourselves as we are and be proud. As is often the case, while one is helping oneself he/she will end up helping others. In this endeavor writing groups will also show the rest of America that our culture is built on honor, integrity, dedication, and patriotism. 

         Writing or any artistic endeavor starts as a dream, which evolves into an idea, and that dream or idea expands into a benefit to others. This is true whether it’s a new invention, a new medical treatment, or a piece of writing that will change the thinking of their readers. An idea, however, is worthless unless one is bold enough to risk rejection, criticism, and monetary loss.  
         Some people never dare to dream, to change, or do anything different. But in so doing one defeats the whole purpose of being born with a fertile and functioning imagination. Imagination is one of the greatest gifts bestowed on mankind. It is the cornerstone of the evolution of humanity. I’m not speaking of Darwinian evolution, but the evolving of the capability of the human mind and talent.
         I beg of everyone who reads this to please stop hiding your lights (gifts) under a bushel.  I believe that no gift is given except to be used for the benefit of humanity.  If that be the case, do we have the right to selfishly hide that gift (talent) away? When we hide a gift that has been given then we are guilty of slowing the progress of humanity in its struggle to move beyond the mundane and reach for, that much sought after recognition, of who we are as a people and a culture.
         Our struggles in Appalachia as writers, has been to safeguard our unique heritage while also broadening our realm of influence in literature.  We want to be taken seriously. 
         As previously stated the great Appalachian writers and artists that have preceded us were the pathfinders and the trailblazers.  We have a duty to carry their torch forward and enhance their determinedly burning flame.
         The torch has been thrown to us and if we survive as a culture and in our own time, move our ‘river of earth’ another step along the continuum then we will have honored those who walked so proudly and bravely before us.
         We want humanity to look at Appalachian literature and recognize that Appalachia is a region where ideas are born, developed, and put before the world as a renaissance of the earliest and purist forms of self-expression.
         Our art and our culture needs no apology and we offer none, but we have begun to flout and display our literature and other artistic endeavors as the masterful works of fertile, talented, and dedicated minds working together for the betterment of humanity through the written word.

About the Author
Adda Leah Davis is a McDowell County, West Virginia native who has now lived in Russell County, Virginia for over twenty years and dearly loves the entire area. She is a retired elementary school teacher and counselor. 

After retirement from the school system she wrote for two newspapers in McDowell County, started an oral history theater group, and was Director of Economic Development in McDowell County for six years.

Mrs. Davis has presented workshops on oral history, community development, leadership, and writing.  She is energetic and enthusiastic about any project she starts and about life in general. Davis is the author of fifteen books; Fantasy Stories of the Life Cycles in Nature (Making Science Enjoyable), Here I Am Again Lord, Landon Colley, An Old Time Primitive Baptist Universalist Preacher, Caleb’s Song, Golden Harvest Workbooks for Grades 1, 2, and 3, The Whisperer, a y/a book similar to the Nancy Drew Mysteries, Abigail’s Redemption,  Lucinda Harmon Saga which includes; Lucinda’s Mountain, Jason’s Journey, The Beckoning Hills, and Farther Along and the mystery series which includes A Fatal Love of Place, A Fatal Web of Deceit, and Fatal Choices and Second Chances. 

The first series of books tell the story of the Scotch/Irish settlers in the Appalachian Coalfields in the 1950’ from the perspective of a person who grew up and lived her entire life in that culture.  The second series is a mystery series dealing with corruption in businesses.

Davis’ dedication to her heritage and her sense of place is interwoven into the very fabric of all her work. However, as the present displays, she writes about other areas or settings, but still the character of the Appalachian Mountains and its ingrained values of patriotism, honesty, and faith is readily displayed.

As of now she is working on the second  Y/A mystery, a three book series beginning in Ireland but migrating to Pittsburgh and then Southwest Virginia and over into West Virginia before returning to Ireland to visit one’s roots. Davis also has three books for children with Christian Faith Publishing as well as the first book A Heaven Sent Wife of The Priory Heritage Series which is being published first by Christian Faith Publishing.

Davis has a great love for and also a heartfelt need to write and therefore she writes every day. “If I don’t use the God-given gift of writing, then it will be taken and given to another and I would be bereft,” is one of Davis’ greatest fears. 

Davis’ love for McDowell County as it was in the 1950’s rings loud and clear throughout her series of books and in fact all of her writings. She has often said, “I live away now, but part of my heart is still in McDowell County.

Today, Davis will tell you that hearts, like love, can expand as hers has because she now loves Russell County, Virginia and the entire area. The many friends and fellow writers that she has been blessed to meet and learn to love, attest to this knowledge.

Connect with Adda…
goldenharvestcreations.com

 

 

 

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An Interview with Hazel Hale Bostic

1/14/2017

9 Comments

 
An Interview with Hazel Hale Bostic, as told to Gina McKnight.

Welcome AAG Author Hazel!

Hazel is an accomplished author, as well as a writer for select magazines, including Modern Mountain Magazine. Her premier book Harvesting Memories was published in 2011, selling 1,100 copies.

GM: What is the premise for Harvesting Memories ?
HB: Harvesting Memories is an essay collection whose characters are my family, based upon my life experiences.

GM: As an Appalachian writer, what do you find inspiring about living in Appalachia?
HB: I find everything inspiring about living in Appalachia, especially her people. True Appalachians are steeped in character.

GM: What is your advice to novice writers?
HB: My advice to a novice writer is be yourself. Your voice is unique. Use it, and don’t pattern yourself after someone else.

GM: Who is your favorite poet/author/writer? Why?
HB: I have several favorite writers, and they’re all Appalachian. Lee Smith heads the list. Sharyn McCrumb, Chris Offutt, Robert Morgan, James Still, and Rita Sims Quillen – to name a few.

GM: What are you currently writing?
HB: I’m currently preparing material for a possible fiction collection.

Biography
Hazel Hale Bostic

I graduated Honaker High School class of 1964, and stayed home because I wanted to. I quote my late dad as he sat on his Swords Creek front porch and appreciated the mountain view all around him. “Why in the world do folks want to run all over creation and back when we have everything we need right here?”

I’m proud of my heritage. Following a career as bookkeeper/office manager, I began writing in order to help keep my heritage alive. True Appalachians are steeped in family values, individual pride, and what I feel is the most valuable of values – identity.

May we never lose our identity.

As a testimony to the above statement, I accepted Dr. Thomas McKnight’s invitation to head Southwest Virginia Community Colleges’ Reminiscent Writers when he retired several years ago.

I’m from a long line of both storytellers and readers. As a kid I couldn’t wait for the annual Hale Family Reunion held at the Frazier Hale home place in the Gardner section of Russell County. The only things better than tables filled with delicious food were the stories told and re-told. Dad was one of the top-dog storytellers. My mother, an avid reader, exchanged books the way her Hale in-laws swapped yarns.

I write fiction and nonfiction, and sprinkle humor into both. I’ve won several awards for excellence in writing, and it’s usually the nonfiction category. Perhaps it’s because readers can often hardly believe the bigger-than-life characters and the situations they are in are NOT fiction.

I’ve published one very successful book, Harvesting Memories, and continue submitting and publishing with regional and national markets. I’ve twice placed first in our Appalachian Heritage Writers Symposium – adult essay category, received numerous People’s Choice Awards sponsored by The Storyteller, and placed in each of the Chautauqua Creating Writing Contests I’ve entered. There are others too numerous to mention.

I was a presenter at the 2014 Appalachian Heritage Writers Symposium, and so enjoyed my Dialogue Workshop.

I’ve spent my entire life in these up-close-and-personal mountains. I didn’t follow the great exodus from the hills of home. I loved home then. I love home now. 


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An Interview with T. Byron Kelly

1/7/2017

25 Comments

 
An Interview with T. Byron Kelly, as told to Gina McKnight
Welcome AAG Author T. Byron!

T. Byron Kelly is a poet, painter, and musician from Appalachia USA. An AAG member and author of many poetry anthologies, short stories, and more, T. Byron embraces his Appalachia heritage and inspiration from the aesthetics of his surroundings…

GM: Your poetry is rooted deep in your memories and history. What was the first poem that you penned?  
TBK: One of the first pieces of poetry from notebook Poems (1987-93) is titled “Clouds” from October 1987.  Read “Clouds” at tybyronk.livejournal.com here.

GM: What are the requirements for a great poem?
TBK: I remember Jim Morrison said that “the self interview is the essence of creativity. Morrison’s idea was about asking questions (internally) and finding answers. I still think that poetry is the art of suggestion and it is an art form more akin to painting (and is often referred to as the sister of art). I also think that poetry remains the “spontaneous overflow of powerful emotion” as Wordsworth noted it should be. I believe the best poems are already eternal and written (as Blake supposed) in Heaven.   I am not inclined to storytelling in poems at this point in my own work. I like to use word images to paint on the page and let them suggest a story rather than try to tell one. Wei T'ai wrote in the 11th century; "Poetry presents the thing in order to covey the feeling. It should be precise about the thing and reticent about the feeling, for as soon as the mind responds and connects with the thing the feeling shows in words; this is how poetry enters deeply into us. If the poet presents directly feelings which overwhelm him, and keeps nothing back to linger as an aftertaste, he stirs us superficially; he cannot start the hands and feet involuntarily waving and tapping in time, far less strengthen morality and refine culture, set heaven and earth in motion and call up spirits!"

GM: How do you maintain thoughts and ideas?
TBK: I like to notice the ordinary-extraordinary things. Goethe, in ‘The Poet’s Year’ talks about making the reader observant of things which; “recur as ordinary and familiar”. Rodin’s advice to the Poet Rilke was to simply “regard and observe”.
 
My poetry, music and art have always been a place for me of supernatural communion between the divine and earthly realms. The liberation of the ordinary is finding the eternal in the moment now-there is a sacred space of connection which transcends time itself and is born through spontaneity and my work has been to attempt to bring forth this language of light. We are curious bystanders at the crossroads of conscious and unconscious thought. Imagination, then, is the child of the dream and the mind. Poetry is a state of Grace.

GM: Besides the beauty of Appalachia, what/who is your muse and inspiration?
TBK: I have to say the Holy Spirit in my work as a Poet and Artist.

GM: Do you have a favorite poem from your own collection?  
TBK: From the Va West Va. Collection of poems I think this is an interesting selection http://vawestva.livejournal.com/6884.html.

GM: Who is your favorite poet and how have they influenced your writing?
TBK: It is very difficult for me to choose one favorite Poet. I will say that I was very influenced by Jim Morrison’s American Prayer in my early years and would probably never have begun writing poems without hearing his work. I was also amazed by the poems and relief etchings of William Blake and began to consider the idea of combining my own poems with paintings after studying his work.  Letters to a Young Poet by Rainer Maria Rilke is maybe one of the most important books I own.

GM: What are you currently writing?
TBK: I am working on a new book of poems titled Wait until the Morning Star, a kind of poetic memoir.  I have also been working on two selections of poetry called Light & Shadow and The Beginning of the End since 2001.

GM: List 10 things that your fans probably do not know about you...
TBK: …
  1. I love color.
  2. I spent some time (as my Father had) in the Corps of Cadets at VPI.
  3. I have wandered the Jefferson National Forest on the edge of Virginia and West Virginia for years now.
  4. My family are all from Western Virginia, West Virginia and Eastern Kentucky and many were Coal Miners.
  5. I live in the eastern most part of Appalachia in Virginia.
  6. On my daily walks I sometimes yell at speeding cars “Slow Down”!
  7. I try to keep pen and paper on hand at all times (suggested also by the Poet Rilke).
  8. I still like the idea of being in a band after all of these years.
  9. I think Art is still endless.
  10. I think it may be possible to have art, literacy and tutoring stations in unused (Appalachian) community buildings http://wvarts.weebly.com/  

Biography
Poet, Painter and Musician T. Byron Kelly has been working as an active performance artist in the South Western Virginia area (Appalachia) for over two decades and has generations of family from West Virginia, Kentucky and Virginia. Live, spontaneous lyric poetry performances and gallery exhibits have been at the heart of the Poet's work. As an Undergraduate and Graduate student, Byron studied with poets Nikki Giovanni, Lucinda Roy, Grace Bauer and Anne Bromley, as well as novelist Don Secreast and painter Janet Niewald. Byron received private art instruction during that time and was also a member of Tri-M (Modern Music Masters honor society). Byron studied the relationships between poetry, painting and music and soon began to illustrate his own poems with paintings and put them to music as well. Byron has also taught creative writing and composition on the college level (currently at Pilot Mountain School and Solitude of Virginia Tech) and is a member of the Ghost House Studio-Appalachia, Spectral Arts, The Spooks-VA., WVArts, the Appalachian Writers Association (A.W.A.), the Appalachian Authors' Guild (A.A.G.), West Virginia Writers, the Virginia Writers Club, the XYZ Gallery (Blacksburg, VA.), Glencoe Museum (Radford, VA.) and the Montgomery Museum and Lewis Miller Regional Art Center (Christiansburg, VA). 

T. Byron writes… I paint poems and found a kind of home there. My paintings have always been rather cartoon like and fantastically oriented, a rendering of a dream if you will - I always thought (about realist art) that if you wanted a photograph then why not take a snapshot with a camera?

Project End of Days-Selected Poems & New Selected Poems available @Amazon.com 
Poetry @ http://tbyronk.livejournal.com 
Music @ https://soundcloud.com/ghost-house-studio 
Painting @
 
http://t-byron-k.pixels.com/ 

Gina McKnight is an author and freelance writer Ohio USA 


25 Comments

An Interview with Linda Hudson Hoagland

11/14/2016

37 Comments

 
From Tazewell, Virginia USA, welcome award-winning Author Linda Hudson Hoagland. Linda writes fiction and non-fiction novels, short stories, poetry and more. She has served as President of the Appalachian Authors Guild, as well as a member of numerous writing groups. Linda has a distinct writing style that will draw you into her scenarios, friend her characters, and keep you on the edge of your seat! 

When did you realize you wanted to become a writer? 
I realized I wanted to become a writer at a very early age. In school we were taught to treat the books we were using with reverence and respect. We were instructed to look at the name on the spine of that book we were holding to see the name of the person who wrote it. That’s where I wanted to see my name. I had just learned to read at that time.

Where do you like to write?
I write in my living room where I have my laptop set up on a table that remains in front of me at all times. I usually don’t write directly onto to laptop. That is my tool and I use it for entering purposes after I have handwritten my initial words. I, also, write anytime and everywhere I go when I feel the urge to do so. Many times you can find me at a slow moving festival writing away on my notebook. 

How do you maintain thoughts and ideas?
If I don’t write down an idea right away I might lose it and I have lost many ideas. As far as my books are concerned, my mind has to perk those ideas around in my head before they are written on the paper. 

What has been your best marketing venue?
Festivals, book signings, book clubs, and the like are the places I choose to sell my books. I like the one on one presentation to the buyer/reader. I get to meet all kinds of people.

What is the premise for The Backwards House?
One of the mysteries The Backwards House is about a house that is right across the street from my house. It is built with its backside facing the street and that always bothered me. My dog, Nikki, and I would scout it out on occasion to find out who lived there and why it was so mysterious. That’s how the book gets its start.

Are your stories based upon your own life experiences?
Almost all of my stories are based on a life experience of one sort or another. I think that is true of most writers. I do write fiction but I have to have a reason for writing that story. I write what I know.I also write true stories, nonfiction, for people who want me to tell their stories. 

Please share a favorite passage from one of your novels…
Quote from: Quilted Memories

"Now, I will be known as an author, a writer of words that mean something, and not just a purchase order clerk for the Tazewell County School System.

Now, I have a real legacy for my two sons. I write poetry and have had several of my poems published. I write several different forms from free verse to rhyme which is my favorite which makes me old school in my thinking."

Can you share one of your poems?
Poem from: I Am...Linda Ellen

DOLDRUMS TRANSFORMED
Overnight the brown hues of the blades
of grass changed to a vibrant, lush green
that covered the rolling hillsides as
food for the cattle that were dressed in
shiny fur coats of whites, browns, and blacks.
At the roadsides, the flowering trees
bursting with blooms, lifting their branches
to the sun beckoning the warm rays
to caress the blossoms and green leaves.
The doldrums of winter had transformed
into the welcomed rebirth of spring.
The world was a much prettier place
For the eyes of all of those who see.

Published in the Clinch Valley Review 2012

What is the key to writing great poetry?
I don’t know what the key to writing great poetry might be. I write what I feel and hope you will be able to see through my words.

What are you currently reading?
I have just finished reading 26 novels of fiction for a novel writing contest. I was very impressed with the works I had received.

What are you currently writing?
I am currently working on four works of fiction (mysteries and literary) and several nonfiction undertakings that will require a lot of time before they can be offered for publications.

Do you have advice for novice writers?
Don’t dream about writing your novel, just sit down and do it. It won’t be perfect but it will be a beginning. Along with writing your own work of art you must read the offerings of others.

Connect with Linda… lindasbooksandangels.com
Archived interview with author/blogger Gina McKnight, March 30, 2015. 
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